Notes on Godzilla Resurgence and Love & Peace


Godzilla Resurgence (left); Love & Peace (right)

Two sides of the same sentiment, but of different political position. Both has something to do with United States’ Nuclear Terror attack back in 1945. Both uses the Kaiju as a metaphor to the Nuclear bomb.

First, Hideaki Anno’s and Shinji Higuchi’s Godzilla Resurgence (2016) as outright rightist, friendly to imperialist US but with critical distance. (Wrote a 600+ word review on this, will probably appear somewhere soon, if not, I’ll just post it here.)

Second, Sion Sono’s Love and Peace, mostly anti-government critique of the use of languages of development, love and peace to censor the nuclear threat and history. Such a way that its critique also goes to neo-liberal politics and literature.

What they both may have missed is that, they both aligned with the government’s and Japanese mainstream historian’s effort to censor Japan’s war crimes from the Sino-Japanese war (Nanjing Massacre) to the World War II (Comfort Women issue), in exchange of their victim stance due to Nagasaki and Hiroshima.

My guess, since I only have the privilege of guessing and not actually witnessing, is that their text books must have soften the narration of the nuclear attack perpetrated to them by the end of World War II, hence the production of literature such as these two not to forget that the attacks were an atrocity; terrorism.

I don’t know if Sono’s trying to address all the Japanese war issues one by one (both the nuclear attacks and the Japanese war crimes), whenever I think about the Comfort Women issue, images from the last part of Tag (2015) appears in my mind. This might be a possible reading, but might be negated otherwise, I can re-watch the film to validate, if I find the time.

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