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Dark Side of the Light (Japan, 2016)
Dark Side of the Light uses a Citizen Kane (1941)-style structure to explore how an actual murder, which occurred in Shibuya back in 1996, would have been committed. Gaps left by the news reportage are filled not with “fiction”, but with possibilities. The film is narrated through the perspective of Takumi (Takashi Nagayama), who witnessed the incidents leading…
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Tsukiji Wonderland (Japan, 2016) [Reel Asian 2016]
Documentaries supposedly present actualities: the so-called “reality” that is non-fiction. First hand and un-paraphrased, so to speak. In Tsukiji Wonderland, however, director Naotaro Endo tries to illustrate the fantastic from the fish market’s very system and realities. It semes to be fitting that the film’s title compares the world-famous fish market to Carroll’s world beyond the…
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Headshot (Indonesia, 2016)
The plotline for the Mo Brothers’ (Timo Tjahjanto and Kimo Stamboel) Headshot may sound familiar: a man (Iko Uwais) found on a shore, wounded and unconscious, wakes up in a rural hospital unable to remember anything. His attending physician, Ailin (Chelsea Islan), gives him the name Ishmael. It is only after an incident involving his physician that…
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History Lessons
on Jerrold Tarog’s Heneral Luna
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Notes on Godzilla Resurgence and Love & Peace
Godzilla Resurgence (left); Love & Peace (right) Two sides of the same sentiment, but of different political position. Both has something to do with United States’ Nuclear Terror attack back in 1945. Both uses the Kaiju as a metaphor to the Nuclear bomb. First, Hideaki Anno’s and Shinji Higuchi’s Godzilla Resurgence (2016) as outright rightist,…
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Godzilla Resurgence (Japan, 2016)
It is not an easy task to be optimistic and think of another local (in case of the Japanese market) follow-up for Godzilla after the success of the Hollywood’s recent attempt to present the giant monster on big screen just two years ago. But the recent Japanese audience reaction towards Godzilla Resurgence seems to break the myth…
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Symphony of Development and the Ideology of Speed
on Walter Ruttman’s Berlin: Die Sinfonie der Großstadt and Railways
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Notes on Lino Brocka’s essay 2
“The “upliftment of the motion Picture industry” should not, can never be, a package deal; it is, instead, a protracted struggle. One should work perseveringly with the material at hand, should be aware of but not stunted by our cinematic tradition, and should place one’s trust in the Filipino mass audience.” -Lino Brocka (Philippine Movies:…